Orchestral Music >> MAIN MUSIC MENU

An American sounding orchestral piece originally written and composed for a client's multimedia project. This piece of music has an almost slick-modern upbeat country and western undertone. Think L.A. Orchestra. It would be well suited for a quirky scene in film.

This short piece of 'orchestral music' was composed by myself for a trailer for a game. The music is rather quirky and full of colour. Everything you hear is played 'as live' and pretty much unrehearsed. All was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio and Native Instrument's Kontakt as the source for most, if not all, of the sound you hear.

A long epic piece of 'orchestral music' which was composed back in 2003 by myself for a game by Toby Gard - the creator of Tomb Raider. The music is full of incidental passages along with flighting scenes with recapitulations embraced. Everything you hear is played 'as live' and pretty much unrehearsed. All was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio as the source for most of which is heard here, if not all, of the sound you hear.

In this rather moody yet dynamic piece of orchestral music, you can hear a very good example of what I am capable of composing - creating intense scenes of music with 'flavoured' recapitulations, which are evident throughout.
All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my beloved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio using individual instrument libraries (no loops or ready-played phrases here) as the source for most, if not all, of the sound you hear.

Another orchestral ensemble arranged and performed by myself for Toby Gard's game, 'Galleon' - the mind and talent behind the well known game Tomb Raider. This piece of music portrays a sense of adventure with intense scenes of music with 'flavoured' recapitulations, which appear throughout.
All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my beloved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio using individual instrument libraries (no loops or ready-played phrases here) as the source for most, if not all of this orchestral composition.

An eery and evil sounding orchestral movement of music performed, arranged and recorded by myself for Toby Gard's game, Galleon - the mind and talent behind this well known game Tomb Raider. This piece of music portrays a sense of adventure with intense scenes of music with 'flavoured' recapitulations, which appear throughout.
All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my beloved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio using individual instrument libraries (no loops or ready-played phrases here) as the source for most, if not all of this orchestral composition.

A solo piano composition - with an improvised structure and thoughtful expressive movement. Everything you hear is played 'as live' and unrehearsed using a Fatar Studio 900 weighted keyboard. Recorded pretty much on-the-fly 'as-live' using an old copy of Steinberg's Cubase and the Malmsjö Acoustic Grand Piano library triggered via GigaStudio.

This piece of music was originally written for a small online Flash based computer game. Everything you hear was recorded and played 'as-live' using carefully selected single instrument libraries for Native Instrument's Kontakt and recorded to Steinberg's Cubase/VST using my trusty and much loved Fatar Studio 900 weighted mother keyboard.

This piece of music was originally written for a small online Flash based computer game. Everything you hear was recorded and played 'as-live' using carefully selected single instrument libraries for Native Instrument's Kontakt and recorded to Steinberg's Cubase/VST using my trusty and much loved Fatar Studio 900 weighted mother keyboard.

This fairly up-beat piece of music was originally written for a Scottish alcoholic drink's company. Everything you hear was recorded and played 'as-live' using carefully selected piano and drum libraries for Native Instrument's Kontakt and recorded to Steinberg's Cubase/VST using my trusty and much loved Fatar Studio 900 weighted mother keyboard.

A bouncy, lively - yet mystical sounding orchestral ensemble performed, arranged and recorded by myself for Toby Gard's game, Galleon - the mind and talent behind this well known game Tomb Raider.

All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my beloved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio using individual instrument libraries (no loops or ready-played phrases here) as the source for most, if not all of this orchestral composition.

This rather vigorous piece of orchestral music was originally written for a small game. All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio and Native Instrument's Kontakt as the source for most, if not all, of the sound you hear.

This follow up piece of orchestral music was originally written for a fight scene for a small game. All was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio and Native Instrument's Kontakt as the source for most, if not all, of the sound you hear.

This is the final piece in the trilogy of orchestral music that was originally written for a fairly aggressive fight scene for a small game. The style and feel was greatly influenced by legendary composer Bernard Herrmann. All was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio and Native Instrument's Kontakt as the source for most, if not all, of the sound you hear.

This charming and mystical piece of orchestral music was originally written for a small game. All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio and Native Instrument's Kontakt as the source for most, if not all, of the sound you hear.

This charming and mystical piece of orchestral music was originally written for a small game. All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my much loved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio and Native Instrument's Kontakt as the source for most, if not all, of the sound you hear.

A solo piano piece. All music was recorded on the fly - live! A Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST was used.

A rather inquisitive yet curiously layed back movement of music entirely performed, arranged and recorded by myself for Toby Gard's game, Galleon - the mind and talent behind this well known game Tomb Raider. This piece of music portrays a sense of adventure with intense scenes of music with 'flavoured' recapitulations, which appear throughout.
All music was recorded on the fly - with each multi-tracked sequence being played 'as-live' using my beloved and well used Fatar Studio 900 mother keyboard along with Steinberg's Cubase/VST and much of the sound coming from Tascam's Giga Studio using individual instrument libraries (no loops or ready-played phrases here) as the source for most, if not all of this orchestral composition.

A minimal orchestral piece written for a film promoting online theft and security issues for Swiss RE.
Watch the rushes/rough edit on Youtube.